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Ebook Una vida ejemplar: Memorias de Art Pepper by Art Pepper read! Book Title: Una vida ejemplar: Memorias de Art Pepper
The author of the book: Art Pepper
Language: English
ISBN: 8496879577
ISBN 13: 9788496879577
Format files: PDF
The size of the: 994 KB
Edition: Global Rhythm Press
Date of issue: April 1st 2012

Read full description of the books Una vida ejemplar: Memorias de Art Pepper:

From his overwhelming passion for his music to his tumultuous battle with drugs, renowned jazz musician Art Pepper holds nothing back in his autobiography. In addition to reflecting upon his own life, Pepper provides explosive commentary on both the jazz world and the drug and criminal subcultures abounding in California in the 1960s and 1970s. Originally published in 1980, this edition includes a discography and is updated with an extensive afterword by his wife Laurie Pepper that covers his last years.

 

Desde su pasión abrumadora por su música hasta su batalla tumultuosa con las drogas, el renombrado músico de jazz Art Pepper no anda con rodeos en su autobiografía. Además de reflexionar sobre su propia vida, Pepper da comentarios explosivos sobre el mundo del jazz y las subculturas de la droga y el crimen que abundaban en California en los sesenta y setenta. Publicada originalmente en 1980, esta edición incluye una discografía y está actualizada con un epílogo extensivo por su esposa Laurie Pepper que abarca sus últimos años.

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Ebook Una vida ejemplar: Memorias de Art Pepper read Online! American jazz musician noted for the beauty of his sound and his improvisations on alto saxophone, and a major figure in the 1950s in West Coast jazz.

Pepper in his teens played in Los Angeles bands led by Lee Young and Benny Carter, then joined the Stan Kenton band briefly before serving in the U.S. Army (1944–46). He returned to Kenton in 1947 and remained until 1952, the year he began leading recording groups. Narcotics addiction and drug-related prison terms interrupted his freelance career in the 1950s; after a remarkably productive period of recording, 1956–60, he spent most of 1961–67 in prison. Physical ailments and a three-year period of rehabilitation in Synanon resulted in only intermittent performing until the late 1970s, when he resumed frequent recording and touring.

Pepper had been influenced by both swing musicians, especially Carter, and bop-era musicians such as Charlie Parker and Lee Konitz. He played alto saxophone with a brilliant, pure tone, stating even small note values with clarity, and he also played clarinet and tenor saxophone on occasion. He constructed his solos with broken phrases and asymmetric accents and formed melodic lines with rare, compelling tension. In contrast to the cool jazz aesthetic that prevailed among other white West Coast jazz musicians, Pepper’s improvising was intensely emotional at all tempos, and he was a sensitive interpreter as well, as in Hoagy Carmichael’s 1956 recording of “Winter Moon.”

Among his major recordings are his 1956 “Besame Mucho” and the albums Art Pepper Meets the Rhythm Section (1957), The Way It Was (1960), and Smack Up (1960). Influenced by John Coltrane’s music by the 1970s, Pepper recurringly incorporated modal material, cyclic forms, and dissonant, sheets-of-sound elements into his soloing, which continued to be outstanding at the end of his career.




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